It features a foreword by Paul McCartney, an introduction by Giles Martin a remembrance by Glyn Johns chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett and an essay by journalist and author John Harris exploring the sessions’ myths vs. The hardback book this time will be available in both boxes – something that hasn’t happened before with Beatle re-mix re-issues. O Giles Martin & Sam Okell’s new stereo mixes of the ‘Don’t Let Me Down’ and ‘Let It Be’ singles. O Glyn Johns’ unreleased 1970 mixes of ‘Across The Universe’ and ‘I Me Mine’. Then there’s that Let It Be EP (in both the vinyl and CD boxes) as a separate disc containing 4 tracks: There’ll also be a special edition of the same content on a 5CD + 1Blu-ray (containing the album’s new stereo mix in hi-res 96kHz/24-bit new 5.1 surround DTS and Dolby Atmos album mixes), also with a 105-page hardbound book in a die-cut slipcase.īoth these total 57 tracks in all: the original Let It Be LP in a new stereo mix by Giles Martin and Sam Okell, two discs of previously unreleased outtakes, studio jams and rehearsals, and the previously unreleased 1969 Get Back LP mix by Glyn Johns, newly remastered. The album shifted further and further away from their original pop roots.It begins with a 180-gram, half-speed mastered vinyl 4LP set that also includes a 45rpm 12-inch vinyl EP, with a 105-page hardbound book in a special die-cut slipcase. Here, There and Everywhere came from Revolver - what many consider a turning point for The Beatles’ musical style. I love that song.’ And I’m like, ‘Yes! He likes it!’” McCartney joked, “John says just as it finishes, ‘That’s a really good song, lad. … It helped.”īut when it came down to Lennon praising McCartney’s songwriting abilities, there was only ever one occasion: for Here, There and Everywhere. You’d normally have to be a little bit drunk. When asked if the two praised each other, he said, “I would tell him his stuff was great. READ MORE: Led Zeppelin heading back to court for ‘Stairway to Heaven’ lawsuit You know, he's remembering his old area in Liverpool, so I'll remember mine."
He would say, 'Hmm, that's a bit good, right, here we go, come on.' If he'd have written Strawberry Fields , I would write Penny Lane.
Tweet This Click to share quote on Twitter: "We were competitive, yeah.
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